![]() ![]() Either way, she still believes in the idea of the untouchable persona, which aligns “Never Really Over,” with its willfully imprecise lyrics and its carefully reverbed vocals, with “Me!” by her old frenemy Swift.įor Swift, that approach hasn’t yet fended off the newcomers eager to take her place in the near future. Im announcing that Im entering my Katy Perry era. ![]() At 34, maybe she views that position as being out of reach perhaps her prime-time gig on “American Idol” makes edge a liability rather than an asset. Pursuing a career in gospel music at 16, Perry released her debut album, Katy. (Zedd co-produced “Never Really Over,” his second collaboration with Perry following the recent “365.”)īut Perry seems uninterested in projecting the kind of rough edges that have come to define pop stardom in the years since she was regularly topping charts. “Never Really Over,” which presumably heralds the arrival of Perry’s fifth studio album, has healing in mind as well its video follows Perry as she checks into a rehab facility for people with broken hearts.Īnd like Cyrus, Perry is borrowing sounds from today’s young hitmakers - in this case the close-miked ASMR finger-snaps that figure so prominently in Eilish’s music. Taylor Swift recently dropped her single “Me!” Ed Sheeran and Justin Bieber teamed this month for “I Don’t Care.” (Both songs have been blocked from the top spot on Billboard’s Hot 100 by Lil Nas X’s viral country-trap smash, “Old Town Road.”) Now Cyrus and Katy Perry, both of whom have been with us for well over a decade, are back with new music that came out Friday. Katy Perry toasted a giant mask for helping keep fans safe during the opening night of her Las Vegas residency 'Play.' John Shearer/GettyImages. Not so long ago, Post Malone and Cardi B were redefining how idols emerge (and what their music sounds like) then Billie Eilish and Lil Nas X showed up and threatened to somehow make Post and Cardi feel like the establishment. Music has moved quickly in the streaming era beyond the models that flourished in the 2000s and early 2010s. The problem? The songs.Miley Cyrus plays a pop star in an upcoming episode of the sci-fi series “Black Mirror.” Set in the near future, the dystopian drama looks as creepy as usual - but it’s also a little quaint, since it suggests Cyrus will still be the type for that job in 10 or 20 years. With no expense spared on the staging and technology, Perry offered a concert that looked as terrific as anything from fellow big-spenders Madonna, Celine Dion and Beyonce. ![]() The Teenage Dream singer told People that she is not really drinking on. ![]() When Perry decided it was time to slow things down, she strapped on an acoustic guitar for a solo take on her 2009 ballad “Thinking of You” … while wearing a bejeweled wig and matching dress and riding a planet that flew above the heads of the crowd on the floor. The pop star gave an update on Wednesday (June 21) and revealed that she’s going strong most of the time. Perry’s beefy live band kept the songs banging and her dancers gamely endured an endless series of outfit changes. Katy Perry returned to the American Airlines Arena last night for her Witness World Tour, and though she opened 2017 saying this album cycle would mark a more socially conscious departure. Many songs had their own single-use oversize props, from dice for “Roulette” to a basketball court for “Swish Swish” to a lion’s head for “Roar.” For “Chained to the Rhythm,” two of her dancers wore “Lion King”-inspired puppets and played businessmen with television sets for heads, later changing into pink flamingos for “Hot n Cold.” The Left Shark - the most memorable thing about Perry’s 2015 Super Bowl halftime show - even joined her for “California Gurls.”Įach corner and nook of her stage lit up or moved or opened to a trap door. Katy Perry performs the opening concert of her Witness: The Tour at the Bell Centre in Montreal on Tuesday September 19, 2017. The album was released worldwide on Jwith pre-orders beginning May 19. The 33-year-old Californian opened with a bang, riding a flying star-shaped contraption that emerged from the massive, eye-shaped screen that spanned the rear of her stage.įrom there, she packed every moment of the evening with eye-popping spectacle. Witness: The Tour was the fourth concert tour by American singer Katy Perry, in support of her fifth studio album, Witness (2017). Witness is the fifth studio album, and fourth mainstream album, by Katy Perry. That was one takeaway from her Friday night show at St. ![]()
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